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"Lansdcape" Artist Interview: Tony King

Posted April 28, 2020

Tony King, Bristlecone 19, 2012, oil on linen, courtesy of the artist, on view in Landscape: Awe to Activism

Tony King, Bristlecone 16, 2012, oil on linen, courtesy of the artist, on view in Landscape: Awe to Activism

This week, we're catching up with local artist, Tony King. King is currently exhibiting in Landscape: Awe to Activism, along with fellow members of the "Sonoma Four." In the summer of 1992, the four Sonoma County artists, Tony King, William Morehouse, Jack Stuppin, and William Wheeler, set off on a cross-country trip from California to New York to make plein air paintings. Inspired by the explorations of earlier painters such as Thomas Hill, William Keith, and Thomas Moran, they made stops at locations such as Yosemite, Great Salt Lake, Snake River, Grand Tetons, and Mt. Rushmore. The results of that journey were displayed in a historic exhibition at the Century Association in New York City. The artists were dubbed the “Sonoma Four” by Press Democrat columnist Gaye LeBaron, and together they went on to exhibit their work at various venues such as Dominican College in Marin and John Berggruen Gallery in San Francisco.

 

Hi Tony, how are you spending your time during the shelter-in-place?

I am fortunate to have fairly normal days during our shelter-in-place, which means I spend most my time in my studio.  However, there is a restlessness that pervades, and that leads to lots of long walks, often with a sketch pad.  I try to do small oil paintings on some of these walks. There seems to be more time to paint with the social distancing.

 

If you could describe your work in 3 words, what would they be?

Discovery.  Process.  Metaphor.

 

Who or what inspires you?

Inspiration seems a mystery, its source objective or subjective. It may come from the external surroundings--an observation of a view or scene, a person, or an event. Or it may emerge strictly from the mind--an idea about color, imagining a cartoon, a geometric composition.

 

When do you feel most creative?

"Creativity" is a word I leave alone.  Once inspired to begin a painting, there are all sorts of emotions and thoughts that go into the process of making it, and creativity somehow falls under the umbrella word "work." A big painting takes months to complete. There is always the excitement of starting, energy and concentration as the painting evolves, hope for a grand outcome, and usually a crisis when things suddenly deteriorate. That is when the greatest effort is needed to persevere, and it is during these moments when maybe something creative is being done.

 

Since you're exhibiting in "Landscape," where's your favorite landscape or outdoor space?

A favorite place, probably, is wherever I find myself painting. In that sense, anywhere that stimulates the act of painting is the momentary favorite. It might be a bluff overlooking the shore line, or an spot on the forest floor where a mushroom grows.

The paintings in the "Landscape" show reflect many trips to paint bristlecone pine trees (the oldest trees) in remote mountains in the Basin Range. The physical landscape is extraordinary, but it is the ancient trees that define the place.

 


 

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Landscape: Awe to Activism Exhibition

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"Landscape" Artist Interview: Adam Wolpert

Posted April 20, 2020

Image provided by artist; photographed by Sally Peterson

Adam Wolpert, Landwell Oak, 2019, oil on linen on board, courtesy of the artist, on view in Landscape: Awe to Activism

This week, we're catching up with Landscape: Awe to Activism artist Adam Wolpert. Adam Wolpert’s work employs a range of techniques and motifs to reflect a lifelong engagement with nature. His varied imagery explores the themes of cycles, relationships and balance, and investigates the subtle distinction between the representational and the abstract. His earlier naturalistic outdoor work speaks of his relationship with the land, in particular his home in West Sonoma County at the Occidental Arts and Ecology Center (OAEC).

A passionate artist from an early age, Wolpert explored the media of performance, ceramics, sculpture, and collage before turning seriously to
painting while earning his BFA from the University of California Santa Barbara. After a rigorous 2-year training in classical realism at Studio CecilGraves in Florence, Italy, where he immersed himself in the work of the great European masters, Wolpert completed an MFA at UC San Diego. He has had major gallery representation since 1988, including many solo exhibitions and group shows and 18 years with the Jan Baum Gallery in Los Angeles. Wolpert co-founded the Occidental Arts and Ecology Center in 1994 and has taught and lectured extensively throughout California. (adamwolpert.com)

 

Hi Adam, how are you spending your time during the shelter-in-place? 

I am helping to keep things together with my family and community and spending time with my 13-year-old daughter. I am also very fortunate to have access to my studio during this time, as well as to extensive hiking trails near by. I am so grateful for this remarkable privilege. So I am spending much of my days painting a 4' x6' painting of a beautiful old Oak tree in front of our kitchen and walking in the woods. I  am also spending time trying to grasp and understand the scale and meaning of what is happening to humanity right now and I find that effort can be overwhelming.

 

If you could describe your work in 3 words, what would they be?

Inspired by nature

 

Who or what inspires you?

In addition to nature, the creative process inspires me. I am always surprised and humbled by the creative journey. Even after more than 30 years of painting, it still is a mystery to me. I love the sensual beauty of the paint, the seemingly infinite number of solutions to pictorial problems and most of all, the way the activity leads me back to a study of myself and the way I construct visual reality. As soon as I finish a painting, I want to go further and deeper with the next one.

 

When do you feel most creative?

My favorite time to paint in the studio is from 5am and noon, when I paint outside I prefer the light in the late afternoon/early evening. There is something very different about painting at different times of day and, of course different paintings have different requirements. Another way to think about this question is in terms of inner states that foster creativity. I find I am most creative when I am searching but not finding, when I am in-between things and at least a little unsatisfied. For me, creative discovery often comes out of chaos and discontent. In these states, sometimes the work of art comes through me as if of its own accord. In my opinion, at its best, creativity is not about control.

 

Since you're exhibiting in "Landscape," where's your favorite landscape or outdoor space?

I love the pond at the Occidental Arts and Ecology Center, where I live and have spent most of my life painting! (www.oaec.org)

 


 

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Landscape: Awe to Activism Exhibition

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"Landscape" Artist Interview: Naomie Kremer

Posted March 31, 2020

After sheltering in place for two weeks, we thought we'd check in with our Landscape: Awe to Activism artists. This week, we're catching up with Naomie Kremer.
 
 

Hi Naomie, how are you spending your time during the shelter-in-place?

Painting, working on video, cooking, walking, Zoom Pilates.
Noticing new flowers in my garden!
Working on a short video about my solo show that just opened at Modernism in San Francisco, and obviously now on PAUSE. It will be extended...
Reading about Alma Mahler in preparation for my installation about her in Marseille, France, as part of Manifesta 2020 Parallel Program. It's supposed to open June 6, but probably...it will be postponed.

(Pictured: Naomie's carrot soup, new flowers in her garden, sunset walks, Alma Mahler installation; images provided by artist)

Your work in the exhibition is incredible. If you could describe your work in 3 words, what would they be?
Color, motion, rhythm

 

What inspires you? 
Anything interesting: what I read, to what I see, what I hear, what I taste - in summary - all and any sensory perceptions that come with being alive. It's a much longer answer if I get specific... and it changes all the time!

 

When do you feel most creative? 
In the morning! Before much has happened, when I'm still close to dream state. I don't find fatigue creative.

 

Since you're exhibiting in "Landscape: Awe to Activism," where's your favorite landscape or outdoor space? 
I love desert landscape, probably more than green, but any landscape with interesting contours, details, colors.

 


 

Naomie Kremer
Vantage
Oil on linen and video projection
Courtesy of the Artist and Modernism, Inc.

 

Naomie Kremer
Ecco
Oil on linen and video projection
Courtesy of a private collection

June 16 - September 15, 2019

Q&A with the Co-Curators

6/3/2019

Cannabis use generates strong, often divided opinions, but its story is undeniably significant. With installation for our upcoming exhibition underway, we sat down with the co-curators (Eric Stanley and Brian Applegarth) for a little Q&A:

Eric Stanley, Associate Director and Curator of History, Museum of Sonoma County 

Brian Applegarth, Guest Co-Curator

 

How was this exhibition conceived and developed?

Eric: We've been considering this exhibition for about eight years. Before and after the legalization of medicinal marijuana in 1996, Sonoma County has played a significant role with dispensaries, medical marijuana advocates, activists, and others in a rapidly evolving environment. The exhibition was conceived to capture the story of what lies behind or beneath these rapid changes, which were decades in the making. No matter where you stand on cannabis, it’s important to know the evolution of this issue.

Brian: I met Eric a few years ago at a historian event in Occidental. We spoke about the interesting cannabis legacy of Sonoma County and how rich it was in content and culture. Time passed, things evolved, and now the time is right to share this history with our Sonoma community and the greater bay area. It was developed in collaboration with cannabis pioneers, legendary activists, and counter-culture historians throughout the Bay Area. The story of cannabis is a journey that shares the cultural fabric of northern California.

 

Why is it Important for the Museum to present this exhibition?

Brian: Cannabis was strongly stigmatized. The rapid innovation in this multi-billion dollar industry, combined with lingering stigmas that still exist, creates a wide gap of misunderstanding in communities. Information is power and this exhibition shares about the many roles that cannabis has, does, and will play in our communities. Sonoma is defined by its close relationship with nature, agricultural roots, and experimental communities. Cannabis as a symbol and a plant, has shaped our northern California culture and this exhibit provides context around its journey and influence.

Eric: The thing is, cannabis has a fascinating history and legacy. While it has been part of human history for thousands of years, in the last 125 years it has gone from legal to illegal in California and back again. California was both a leader in its prohibition, and in its legalization—with Sonoma County playing a role in the cannabis saga. Understanding the ups and downs, the back and forth, the controversies and the context that have driven these changes is the only way to have a clear view of where we are now. My hope is that this exhibition gives visitors greater perspective on the issue of cannabis- something that is part of our society in new ways and in the news on a daily basis.

 

What impact would you like this exhibition to have on its visitors?

Brian: I would like this exhibit to open minds and re-frame the cannabis conversation through fact based historical and cultural education.

Eric: We’re not advocating a side, or taking a position in this exhibition, but trying to tell a story that is worth telling and that is relevant now. What we are saying is that this is an important issue, one that we need to understand and discuss. The Museum is a great forum-- a place to take the long-view and talk about our history and culture.